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Stirrup spout vessel with step fret wave motive

The piece of pottery from a tomb shows the step fret wave motif that we know from the entire Pacific coast of America. Its exact meaning is not known. Interpretations range from Pacific waves crashing against the mountain range to the combination of field terraces and irrigation. On this vessel, in which the corn beer chicha was buried with the deceased, a sacrificial ritual is depicted. To the right and left of the stairs you can see priests officiating at the sacrifice. One is dressed as a lizard or iguana, the other only appears to be wearing a mouth mask in the form of predator teeth and a headdress made of big cat fur. His belt has the shape of a snake. On the wave and on the stairs there is one person each. Possibly this is the depiction of a human sacrifice ritual in which people were thrown down the Pacific rim to calm the Pacific Ocean or to ask for fertility. The Moche culture existed from about the beginning of the 3rd century A.D. to the 7th century A.D. on the north coast of Peru. In this section, which extends from the Huarmey valley to an area north of the city of Piura and covers about 600 km from north to south. There are some very wide river valleys running east-west, whose rivers only provide sufficient water for agriculture during the rainy season in the Andes. Therefore, the punctual start of the rainy season and sufficient rainfall was crucial for the survival of the people on the coast.

Data Provider
Linden-Museum Stuttgart Staatliches Museum für Völkerkunde
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Cataloguing data

Cultural attribution
Moche-Kultur
Object type
Ritual object
Dimensions
Höhe: 22 cm, Länge: 23 cm, Breite: 11 cm
Material/Technique
Sound
Engobe, in model moulded
Current location
Linden-Museum Stuttgart
Inventory number
M 30164

Provenance and sources

when
Phase III, 4th - 5th cent. a.d.

where
Peru

when
1965
Provenance
This object does not have a confirmed provenance.

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