Oudjila

Language: unknown
Language: unknown
Bow harp

A long wooden body, strongly rounded on all sides towards the base. The longitudinal edges of the skin membrane are stretched against each other with skin straps that zigzag across the base of the bowl. The neck is a short, strongly curved roundwood. Grommet shaft shape. A cylindrical socket completely wrapped in a separate piece of skin. Five short, cylindrical flank pegs. The upper ends of the five strings of twisted animal tissue are looped several times around the peg and around the neck above and below it. Two long string cords wound around the tailpiece and a single string wound on. A wooden tailpiece inserted into the skin. Six burnt-in perforations in the short upright section resting on the membrane. Two pairs of small, round perforations in the top of the body. A small, carved tenon process on the rear edge of the body. A round, burnt opening in the centre of the body base. "Engagement harp oudjila; unused, . . . Kirdi, Cameroon." "Northern Cameroon, Mandara plain. Engagement harp among the Oudjillas." from Ulrich Wegner: Afrikanische Saiteninstrumente, Staatliche Museen Berlin - SPK, 1984 (appendix object catalogue)

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Data Provider
Ethnologisches Museum
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Cataloguing data

Cultural attribution
Kirdi
Object type
musical instruments
Dimensions
Objektmaß: 23,8 x 8,5 x 52,5 cm
Länge x Breite x Höhe: 49 x 8,7 x 23,8 cm
Material/Technique
Wood, Leather , Fur, Cord (twisted)
Current location
Ethnologisches Museum, Staatliche Museen zu Berlin
Inventory number
III C 43892

Provenance and sources

where
Cameroon [Land]
Mandara Plain [Region]
who
Kirdi

who
Ursula Schmidt - Collectors

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