Museum

Museum am Rothenbaum - Kulturen und Künste der Welt

Museum am Rothenbaum -  Kulturen und Künste der Welt
Address:
Rothenbaumchaussee 64
20148 Hamburg

This page was generated because the cultural heritage institution is registered with the Deutsche Digitale Bibliothek and has published data in the portal. The description was written by the institution that provided the data.

In 1871, the "Culturgeschichtliche Museum" (Cultural History Museum) was founded, building on the ethnographic collection of the Johanneum, a Hamburg grammar school. In 1879, it was renamed the Museum für Völkerkunde (Museum for Ethnology). In 1904, its first full-time director was appointed, Georg Thilenius (1868–1937), and in 1912 it obtained a dedicated building. In 2017, the major step of renaming it the “Museum am Rothenbaum: Kulturen und Künste der Welt“, MARKK (Museum am Rothenbaum: World Cultures and Arts) signified a long-awaited turning point and act of decolonising the museum.

The museum collection consists of a nominal quantity of around 260,000 numbered objects from all parts of the world, including Europe and Germany. The precise number is currently being determined in a full inventory process; approximately a third is anticipated to been lost due to the Second World War. The precise number of objects originating from colonial contexts is unknown, but these are estimated to account for at least a third of the collection.

Numerous people from societies of origin as well as researchers and political activists desire a complete view of ethnographic museums’ holdings. To that end, in 2020 the MARKK published core sections of its collection database as lists on the museum website.

The lists are grouped by region. They contain raw data and notes from various periods of the museum’s history. Many terms in the lists are now considered inappropriate, outdated or offensively racist, yet remain included in the lists for historical reasons. From the same reason, the lists also contain objects that are no longer entirely located in the museum today due to the effects of war, object exchanges, restitution or the deterioration of organic materials.

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